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You Can See Everything, directed by Nathan Fielder and Lance Oppenheim, follows Elizabeth Holmes and her partner, Billy Evans, at their California home in the days before she was due to report to federal prison. The MedPage Today review describes the 174-minute film as an unsettling, entertaining work that leaves Holmes as enigmatic as before, while noting that the filmmakers are keeping a plot development secret.
You Can See Everything, a new film by Nathan Fielder and Lance Oppenheim, follows former Theranos chief executive Elizabeth Holmes and her partner, Billy Evans, at home shortly before Holmes was due to report to federal prison. A MedPage Today review published October 28 calls the 174-minute film an unusual, often entertaining portrait that does not resolve the contradictions around Holmes or her account of the company.
The review says Holmes and Evans welcomed a film crew into their rented beachside cottage in Del Mar, California, 34 days before Holmes was due to start serving an 11-year federal sentence for conspiracy and fraud. They said they hoped the project would help viewers understand Holmes, arguing that journalists and earlier screen portrayals had misrepresented her. The film documents the couple and their two young children during that period.
Fielder, known for comedy projects that blur staged situations and documentary observation, appears in the film as both director and participant. He shares directing credit with Lance Oppenheim. According to the review, Fielder questions Holmes and Evans directly, pressing them on their stories and allowing silences to continue rather than smoothing over awkward moments. The reviewer describes the result as difficult to categorize and says its nearly three-hour length passes quickly.
Holmes continues to maintain that she did nothing wrong and that Theranos’ blood-testing technology worked, the review reports. In one exchange, she tells Fielder she has never told a lie. The film also follows disputes over how Holmes has been depicted publicly, including a quote attributed to her in a 2023 New York Times profile. Holmes and Evans say the quote was inaccurate and claim they recorded the conversation; they do not let Fielder hear their recording. The Times stands by its reporting, according to the review.
A Home Film Tests Holmes’ Account
The film’s significance lies less in settling the Theranos story than in making Holmes’ effort to shape her public image part of the subject. The review describes a project that lets the couple present their own account while also showing Fielder questioning their recollections and behavior. That tension gives viewers a record of how Holmes and Evans explain themselves, but it does not independently establish whether their disputed claims are true.
For audiences familiar with the Theranos fraud case and its earlier dramatizations, the film offers a new kind of encounter: not a conventional investigative documentary, but an extended, closely observed exchange with Holmes before prison. The review’s account suggests that access does not equal clarity. Even after almost three hours, the reviewer says, Holmes remains enigmatic, leaving viewers to weigh her statements against the legal record and other reporting.
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Holmes Before Her Prison Term
Theranos promised that its technology could test for a range of diseases and conditions using only a small amount of blood. Holmes founded the company and became its public face. She was later convicted in federal court of conspiracy and fraud and sentenced to 11 years in prison. The review places filming in the final weeks before she was due to begin that sentence; it does not provide a later update on her custody status.
Holmes has also been portrayed in scripted productions, including Hulu’s miniseries The Dropout, which the review cites as part of the couple’s concern that the public has been given an inaccurate picture. The film’s approach differs by putting Holmes and Evans in their home with Fielder, who asks about their relationship, their recollections, and the way others have represented them.
““I’ve never told a lie.””
— Elizabeth Holmes, as quoted in the MedPage Today review
Disputed Memories and a Kept Secret
The review does not disclose a secret plot development that the filmmakers and studios are reportedly trying to keep from audiences. It is unclear what the development is, how long it can remain undisclosed, or how much it changes the film’s meaning. The reviewer says the film is difficult to discuss without revealing it and chooses not to do so.
The disagreement over the New York Times profile remains unresolved in the account provided: Holmes and Evans allege she was misquoted, while the newspaper stands by its reporting. Their claimed recording is not played for Fielder, and the review does not establish what it contains. Holmes’ assertions about her conduct and Theranos’ technology are also presented as her position, not as conclusions supported by the film.
The Film’s Theatrical Run
You Can See Everything is described as in theaters now and was released by A24. The review lists a running time of 174 minutes and an R rating for language and some graphic nudity. The review does not specify a wider release schedule, streaming date, or subsequent public response.
For viewers, the immediate next step is the theatrical release, where audiences will encounter the film’s undisclosed development for themselves. Whether that secret becomes widely known, and whether it changes how the film is discussed, remains open. The review’s central assessment is that the project offers an unusual view of Holmes without providing a final explanation of her or the Theranos story.
Key Questions
What is You Can See Everything about?
The film follows Elizabeth Holmes and Billy Evans at their home in Del Mar, California, shortly before Holmes was due to report to federal prison. It includes conversations with director Nathan Fielder and scenes with the couple’s young children.
Who directed the film?
Nathan Fielder and Lance Oppenheim share directing credit. The review notes that Fielder also appears as a participant, asking Holmes and Evans questions on camera.
Does the film settle whether Holmes was misquoted?
No conclusion is established in the review. Holmes and Evans say a quote attributed to her in a 2023 New York Times profile was inaccurate and say they recorded the conversation; the newspaper stands by its reporting, and their recording is not played for Fielder.
How long is the film, and where can viewers see it?
The review lists a running time of 174 minutes and says the film is in theaters. It identifies A24 as the distributor but does not give a streaming date or detailed release schedule.
Source: medpagetoday.com
